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Documentary Edge Festival

May 30 - Juin 13, 2019
Auckland, New Zealand

Juin 13 - 23, 2019
Wellington, New Zealand

Festival Category Winner: Art Attack

www.docedge.nz


 

Newport Beach Film Festival

May 2, 2019

www.newportbeachfilmfest.com


 

EPOS – International Art Film Festival

March 19, 2019
Tel Aviv Museum of Art, Israel

www.secrettelaviv.com


 

FICUNAM

March 1, 2019
Festival Internacional de Cine UNAM in Mexico City

www.ficunam.unam.mx


 

Orange County Museum of ART (OCMA) in Santa Ana California

February 10, 2019


 

Le Fresnoy Studio National des Art Contemporains in Tourcoing, France

February 9, 2019

www.lefresnoy.net


 

In conjunction with the solo show "Rafael Lozano-Hemmer: Pulse"

January 12 & 13, 2019
Hirshhorn National Museum of Modern Art (Smithsonian) in Washington, DC

www.hirshhorn.si.edu
RAFAEL LOZANO-HEMMER: PULSE

www.hirshhorn.si.edu
FILM AND TALK: MEGALODEMOCRAT


 

Dart Festival Barcelona – Festival de Cine Documental sobre Arte Contemporáneo

December 2, 2018
Barcelona, Spain

www.dart-festival.com


 

Painting With Light 2018 – Festival of International Films on Art

October 20 & 21, 2018
National Gallery Singapore

www.nationalgallery.sg


 

International Festival of Films on Art (FIFA) 2018

March 8, 2018
Monument‑National in Montreal, Quebec

WINNER – Best Canadian Film

www.artfifa.com


 

 

 

 

 

 

 

 

 

 

BENJAMIN DUFFIELD
RAFAEL LOZANO‑HEMMER

AWARDS

Festival Category Winner: Art Attack

DOC EDGE New Zealand

www.scoop.co.nz
 

Best Canadian Film

FIFA Montreal

www.artfifa.com
 

MEGALODEMOCRAT

The Public Art of Rafael Lozano‑Hemmer

A film by Benjamin Duffield
Canada-Mexico co‑production
Feature documentary 94 mins

Fierce Bad Rabbit Pictures
4006 rue Drolet, Montréal, Québec H2W 2L2 Canada
514.889.8949
ben@fbrp.ca
www.fbrp.ca

.

SYNOPSIS

Rafael Lozano-Hemmer is one of the most acclaimed artists working today, but his pieces wouldn’t exist without public participation. MEGALODEMOCRAT explores Rafael’s quest to stage a democratic takeover of urban space. Shot over 10 years in 30 cities around the world, the film provides intimate access to his large-scale interactive creations in locations such as Trafalgar Square in London, the Vancouver Olympics and New York’s Park Avenue Tunnel, culminating in a piece that crosses the US-Mexico border. In our increasingly isolated lives, MEGALODEMOCRAT serves as an antidote to alienation: Rafael’s work is a rallying point for a screened-in urban population, longing to connect. His art doesn’t discriminate, and all who participate are given a voice. With that voice comes a sense of hope.

Benjamin Duffield
(Producer, Director, Writer, Editor)


 

MUSIC BY

Steve Reich, Michael Nyman, Sonido Gallo Negro, Scanner, Batallones Femeninos

Delezeta, Luar, Pérez Prado, Chucho Monge, James Gelfand & Louise Tremblay.

 

FILMED ON LOCATION

Abu Dhabi, Basel, Berlin, Ciudad Juárez, Dublin, Duisburg, El Paso, Graz, Hong Kong, Linz, Lisbon, London, Los Angeles, Lyon, Melbourne, Mexico City, Montréal,

Moscow, New York, Paris, Philadelphia, Québec City, Rotterdam, Salamanca, Sydney, Toulouse, Vancouver, Venice, Vitoria-Gasteiz and Wellington.

 

SCREENING HISTORY

The film opened the 36th International Festival of Films on Art in Montreal in front of 800 people and won "Best Canadian Film".

www.artfifa.com
 


 

 

Benjamin Duffield

PRODUCER | DIRECTOR

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Benjamin Duffield is a Montreal-based filmmaker who works both sides of the street, directing and editing fiction and documentary films. Since graduating from the University of British Columbia with a B.A. in Film and Theatre in 1993 he has created award-winning film and television for the Canadian and American markets.

In 1996 he joined five filmmakers to make Yukonna, an expedition documentary on the Yukon River that retraced the prospectors’ journey a century ago. The film sold to National Geographic, won several awards and played on the CBC during their 1998 Canada Day celebrations.

More recent accomplishments include directing the sci-fi feature “Darwin” starring Nick Krause and Molly Parker which premiered at the 2016 Vancouver World Film Festival, co-directing the feature documentary “Singing in the Shadow: the Children of Rock Royalty”, and co-editing “Rumble: The Indians Who Rocked the World”, which won a Special Jury Prize for Masterful Storytelling at Sundance 2017 and a Canadian Screen Award for Best Film and Best Editing.

 


 

 

Rafael Lozano‑Hemmer

DOCUMENTARY SUBJECT

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Rafael Lozano-Hemmer was born in Mexico City in 1967. He emigrated to Canada in 1985 to study at the University of Victoria in British Columbia and then received his Bachelor of Science in Physical Chemistry from Concordia University in Montreal, Canada.

EXHIBITIONS. Recently the subject of solo exhibitions at the MUAC Museum in Mexico City, the San Francisco Museum of Modern Art and the Museum of Contemporary Art in Sydney, he was the first artist to officially represent Mexico at the Venice Biennale with a monographic exhibition at Palazzo Soranzo Van Axel in 2007. He has also shown at Art Biennials and Triennials in Havana, Istanbul, Kochi, Liverpool, Montréal, Moscow, New Orleans, New York ICP, Seville, Seoul, Shanghai, Singapore and Sydney.

COLLECTIONS. Collections holding his work include MoMA, Guggenheim and Museo del Barrio in New York, Tate and Science Museum in London, CIFO and PAMM in Miami, Jumex and MUAC in Mexico City, DAROS in Zurich, Borusan in Istanbul, 21st Century Museum of Art in Kanazawa, MAG in Manchester, SFMOMA in San Francisco, MONA in Hobart, ZKM in Karlsruhe, MAC and MBAM in Montréal, AGO in Toronto, National Gallery in Melbourne, SAM in Singapore, the Hirshhorn Museum in Washington D.C. and many others.

PUBLIC ART. His large-scale interactive installations have been commissioned for events such as the Millennium Celebrations in Mexico City (1999), the Cultural Capital of Europe in Rotterdam (2001), the UN World Summit of Cities in Lyon (2003), the opening of the YCAM Center in Japan (2003), the Expansion of the European Union in Dublin (2004), the memorial for the Tlatelolco Student Massacre in Mexico City (2008), the Winter Olympics in Vancouver (2010), and the pre-opening exhibition of the Guggenheim in Abu Dhabi (2015).

PERMANENT COMMISSIONS. Over two dozen permanent architectural pieces are currently being developed for public and private buildings around the World. Many of them are already operating such as ATT in Dallas, Science Museum in London, Amore Pacific Museum in Seoul, PHI Centre in Montréal and Fidelity Headquarters in Boston.

AWARDS. He has received two BAFTA British Academy Awards for Interactive Art in London, a Golden Nica at the Prix Ars Electronica in Austria, “Artist of the year” Rave Award from Wired Magazine, a Rockefeller fellowship, the Trophée des Lumières in Lyon, an International Bauhaus Award in Dessau, the Governor General’s Award in Canada and was named Compagnon des arts et des lettres in Québec.

LECTURES. He has lectured at Goldsmiths college, the Bartlett school, Princeton, Harvard, UC Berkeley, Cooper Union, USC, MIT MediaLab, Guggenheim Museum, LA MOCA, Netherlands Architecture Institute, Cornell, UPenn, University of Michigan, SCAD, Danish Architecture Cente, CCA in Montreal, ICA in London and the Art Institute of Chicago.

PUBLICATIONS. There are nine monographs on Lozano-Hemmer’s work, featuring essays by Cuauhtémoc Medina, Scott McQuire, John Hanhardt, Rodrigo Alonso, Beryl Graham, Cecilia Fajardo-Hill, Manuel De Landa, Victor Stoichita, Barbara London, Geert Lovink, and Brian Massumi. Lozano-Hemmer’s own writing has appeared in Kunstforum (Germany), Leonardo (USA), Performance Research (UK), and Archis (Netherlands).

 


 

 

 

 

 

 

 

 

PRODUCTION STILLS

 

 

 

 

 

Benjamin Duffield

PRODUCER | DIRECTOR

Fierce Bad Rabbit Pictures
4006 Drolet, Montréal, Québec
Canada H2W 2L2

ben@fbrp.ca

www.fbrp.ca


Download the publicity flyer in PDF format

 

 

 

 

REVIEWS
CRITICAL ACCLAIM

L’art ludique et rassembleur de Rafael Lozano‑Hemmer

LE DEVOIR
Andréanne Chevalier - 8 mars 2018

Rafael Lozano-Hemmer crée des oeuvres à grand déploiement qui utilisent les technologies, les espaces publics — et les gens. Le réalisateur Benjamin Duffield expose la démarche de cet artiste mexicano-canadien dans Megalodemocrat : The Public Art of Rafael Lozano-Hemmer, le documentaire qui ouvre ce jeudi le Festival international du film sur l’art (FIFA)...

Read the entire article in french PDF format


FIFA : Benjamin Duffield veut capter le pouvoir rassembleur des oeuvres multimédias de Rafael Lozano‑Hemmer

LIEN MULTIMÉDIA
Article rédigé par Frédéric Bouchard - 16 mars 2018

« Megalodemocrat : the Public Art of Rafael Lozano‑Hemmer » s’intéresse à l’oeuvre du créateur mexicano-canadien qui, à travers ses environnements sonores, ses projections interactives et ses spectacles lumineux, emploie la technologie pour créer des événements rassembleurs et participatifs...

Read the entire article in french PDF format


« Megalodemocrat : The public art of Rafael Lozano‑Hemmer » de Benjamin Duffield - Film en compétition au Festival International du Film sur l’Art de Montréal ‑ FIFA

LINDA MOUSSAKOVA
March 11 2018

Le lancement de la 36e édition du Festival International du Film sur l’Art s’est déroulé dans une ambiance des plus exaltantes à l’image de l’artiste Rafael Lozano-Hemmer sur qui portait le film d’ouverture...

Read the entire article in french PDF format


 

 

 

CRITICAL ACCLAIM for Rafael Lozano‑Hemmer


 

The Guardian

" Arguably the world’s most famous electronic artist. Lozano‑Hemmer is a “visitor virtuoso”... his exhibition perfectly embodies his idea that the crowd is the key to art."

Adam Gabatt

 

The Times of London

" Lozano-Hemmer’s work shows the great range of human emotion on display. I feel twinges of Hogarth, the great 18th-century artist who held a vivid mirror up to English society."

Mark Irving

 

The Independant

" In Lozano-Hemmer’s exhibition our own petty lives have been transformed into a theatre of ever shifting electronic possibilities. We feel unnerved, diminished, troubled, excited."

Michael Glover

 

Frieze Magazine

" Impressive, remarkable exhibition... Lozano‑Hemmer sets machinic rhythms against bodily chaos."

Basia Lewandowska

 

Financial Times

" The virtue [of Lozano-Hemmer’s work] is that it elicits local character and galvanises a public."

Richard Clayton

 

Artforum

" Lozano-Hemmer’s work requires us to reassess our notions of the analog and the digital, of language and code, meaning and force, human and nonhuman communication. But it does so not by commenting, critiquing, or sending a message itself. It does it aesthetically, by which I do not mean “beautifully” (although his installations always are that, too). Rather, I mean “aesthetic” in something closer to the etymological meaning: as in aesthesis, making sensible."

Brian Massumi

 

Los Angeles Times

" Lovely, poignant work."

Christopher Knight

 

Wired Magazine

" Rafael. A World-Class Artist. The Real Deal. His installations actually work!"

Bruce Sterling, Author

 

Artnet

" A wizard at merging slick technology with high-brow art, Rafael Lozano-Hemmer is one of the faces of the future of art."

Ben Davis

 

San Francisco Chronicle

" His work demonstrates how computer technology can unite people in the way a hymn or an anthem does..... Lozano-Hemmer, a nephew of the poet Octavio Paz, is the son of nightclub owners, and his fascination with such playful poetry in the night sky is understandable. But it’s the subtle, proletariat, democratic power of the work that is so alluring."

Zahid Sardar

 

NY Arts Magazine

" His work succeeds in giving the unchoreographed the power of a full orchestra."

CK Kuebel

 

Le Monde, France

" A remarkable artist whose international reputation was largely unknown in Paris – to our discredit."

Christopher Donner

 

El País, Spain

" Rafael Lozano-Hemmer is a cyclone taking over the artworld."

Roberta Bosco

 

Hyperallergic

" Deceptively simple and powerful work. Unexpectedly intense."

Julie Scheitert Collazo

 

Reforma, Mexico City

" Extraordinary...Here is a work of art that reinvents the public sphere... one of the brightest social interventions in Latinamerican Art. I say this to transmit the excitement of participating in Lozano-Hemmer’s installation and experiment a new form of interaction alternative to the authoritarian space of mass media."

Cuauhtémoc Medina

 

The National, Abu Dhabi

" Lozano-Hemmer, a Mexican-Canadian is a really interesting artist whose profile is being increasingly raised around the world and his art is something everyone can relate to."

Anna Seaman

 

The Creators Project

" Lozano’s approach is both sober and outlying, running contrary to many of the expectations we commonly hold for a work of such an overtly political bent."

Reuben Torres

 

 

 

 

 

TRAILER